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UID:f371c8e2-4901-478a-9e29-db5dead68e78@nexttoyou
DTSTAMP:20261105T151458Z
DTSTART:20261111T220000Z
DTEND:20261111T231500Z
SUMMARY:Theorizing at Rowan | Adams | Patina Realism
LOCATION:Business Hall Room 101
DESCRIPTION:Hip hop in the late 1980s and early- to mid-1990s is notable f
 or its extensive use of sampling. Many have noted that hip hop producers 
 from this period tended to sample tracks that were originally recorded tw
 enty years before\, around the time that these producers were themselves 
 born. And many have argued that this use of sampling represents a kind of
  inter-generational homage. But few have discussed how\, exactly\, these 
 sample-based hip hop tracks are able to bring the past and present togeth
 er. In this essay\, I introduce a framework for thinking about this aesth
 etic phenomenon. I do so by first introducing a visual analogy for thinki
 ng about sample-based musical works: pictures of pictures. I then use thi
 s analogy to explain some of the ways in which sample-based hip hop recor
 dings represent the historicity of their sample sources.\n\nhttp://next-t
 o-u.app/events/f371c8e2-4901-478a-9e29-db5dead68e78
URL:http://next-to-u.app/events/f371c8e2-4901-478a-9e29-db5dead68e78
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